It is no astonishment, that when the music band and the publishers of this defining volume were collecting what needed to be the best in Rolling Stones prints, they got in touch with Prem right away. Consisting of over 500 pages of images from some of the time’s photography legends, The Rolling Stones will contain of a limited collector’s edition comprising 1,500 units – each one numbered and signed by the band. Furthermore, six art editions will display runs of only 75 each and come with a photographic print. The point that number of photos from Raj Prem’s collection, clicked by Philip Townsend and Peter Webb, have been incorporated in this book, which pursues to tell the tale of the Stone’s storied history, is something that truly means the world to the collector and fits easily with his spirit. As he has been seen mentioning: “It’s the back stories I find really interesting.”
Author: Raj Prem (Page 2 of 6)
Prem’s collection is respected in rock photography circles. Showing photographs of the Stones, The Beatles, Jimi Hendrix, and Bob Dylan among others, his diligence has resulted in his discovering the special and most charming photos he could find. To ensure handpicked images are available to fans, he also works with photographers – showcasing them, handling their archives and arranging exhibitions. A true pioneer, Prem and long time collaborators San Francisco Art Exchange (SFAe) launched the world’s original rock photography show in 1997, restoring his belief that these photographs are certainly fine art. He has worked with many photography stars, encompassing Gered Mankowitz, Robert Freeman, Michael Joseph, Iain Macmillan, Michael Cooper, Peter Webb, Jerry Schatzberg, Dominique Tarlê, Terry O’Neill, and Pattie Boyd. The erstwhile music journalist holds a special corner in his heart for the Rolling Stones, however. Snapshots such as the ones of the Stones’ 1965 US tour revealed at the initial exhibition and those from “The Decca Years”, a showcase which symbolized the Rolling Stones rise from chart attractions to groundbreakers of the counter culture movement, have fascinated audiences and were secured largely due to Prem’s devoutness. Read Keith Richards’ best-selling autobiography Life, and you will observe that many of the photos are credited to ‘the Raj Prem collection’.
It’s a known fact that perspectives in music are some of the most individual that exist, so generic statements about songs and artists are often difficult to back up credibly. Nonetheless, there are some that are simply impossible to argue. One of those few usually held opinions is certainly that The Rolling Stones are one of the top rock and roll bands of all time. From even just a musical perspective, a certain case can be made as the band has fashioned some of the most outstanding and iconic songs the category has seen. Though, it may be the illustrative aspect of the band that really makes them stand out from the rest. The Rolling Stones set the level for how a rock band should appear and act. Now, German publisher TASCHEN, editor Reuel Golden, and the band itself is offering an unmatched look into their fifty-year history in a collectible book titled merely “The Rolling Stones”. And along with photos and graphics from the band’s personal archives, many formerly unseen, famous photo collector and exhibition curator, Raj Prem, has provided a number of stunning prints for this definitive book.
The hype throughout Raj Prem’s newest exhibit follows his continued success working alongside the San Francisco Art Exchange (SFAE). The established curator feels that working with the SFAE has been an important part of this and many other rock-based showcases. “I value the opportunity to work with SFAE owners and directors Jim Hartley and Theron Kabrich,” Prem noted. “We’ve done 40 plus exhibitions together over 18 years. SFAE was the first gallery in the world to showcase the music photography genre and is probably the most successful outlet for celebrity photography.” Prem stated that the Beatles photography is only one of many exhibitions he has facilitated with the SFAE in his career. He said “Jointly we’ve co-produced several exhibitions of top UK and US photographers, including Robert Freeman, Iain MacMillan, Terry O’Neill and Dominique Tarle .” For Prem, this 50-year Beatles anniversary exhibit will not only reinvigorate old fans about their musical heroes, but also give newer fans direct information into what rock music believes in.
The obsession with all things Beatles drove curator Raj Prem’s new exhibit. Prem’s declared goal was to gives fans something new to witness. This drove him to identify a series of seldom seen photographs taken during some of group’s most pivotal times since the 1960s. The Beatles exhibition will generate the same type of excitement and interest that they originally felt more than 50 years back.
This type of ongoing demand for the Beatles is a driving force behind curator Raj Prem’s latest exhibition. Prem’s declared goal was to gives fans who already have a comprehensive understanding of the band something even more. This prompted him to identify a series of never seen photographs during some of group’s formative years in the 1960s. The Beatles photography exhibition aims to generate the same type of excitement and enthusiasm that fans originally felt over 50 years back.
Musical curator, Raj Prem will release a new series of rare and mostly unseen photographs of the world’s favorite Fab Four: The Beatles. The news comes on the heels of another major moment for these legends of rock and roll – the 50 year mark since the band’s first iconic concert and appearance on the Ed Sullivan Show in the United States. As BeatleMania skyrocketed the group into the spotlight globally, the desire to get more access into the Beatles’ lives behind the scenes grew exponentially. Fans wanted to see all aspects of them and get a peek into the private lives. Legends like photog Robert Freeman brought this to light by getting intimate access into the band’s world and showcasing them with some of the pictures of the history of rock.
The show portrays a rare collection of group and single portraits in both black and white and color, taken against the selected scene made by Webb at his North London Studio. One such example is the “Stones Rollin’,” which was a introduction to Peter Webb’s well-known ‘Falling Stones’ photo. The photo was labeled as one of the top 100 Rock and Roll photos of all time by Q Magazine and will be on the front cover of the book with the same name — a special volume that comprises the same photographs shown in the exhibition. Another example is “The Big Yawn,” a photo in which Mick’s huge mouth is wide open, while Bill Wyman itches his nose. Thanks to the focused efforts of Raj Prem, SFAE is a specialised outlet for Peter Webb’s work in the US.
The display portrays a rare collection of group and single portraits in both black and white and color, shot against the purpose-built backdrop built by Webb at his North London Studio. One example comprises “Stones Rollin’,” which was a prequel to Peter Webb’s famous ‘Falling Stones’ image. The image was voted as one of the top 100 Rock and Roll photos of all time by Q Magazine and will grace the front cover of the book with the same name — an exclusive edition volume that consists of the same photographs shown in the exhibition. Another example is “The Big Yawn,” a picture in which Mick’s huge mouth is wide open, while Bill Wyman itches his nose. Thanks to Raj Prem, SFAE is a distinctive outlet for Peter Webb’s work in the US.
Raj Prem has become a binding force in making sure the photographs of the ‘60s- ‘70s period are kept together while functioning with SFAE’s directors and proprietors Theron Kabrich and Jim Hartley, who in Prem’s understanding is the “eminence grise” of SFAE and the unrecognized genius of the business,. “Sticky Fingers: The Lost Session – Pictures by Peter Webb” is a thrilling display that includes the entire remaining archive of Peter Webb’s 1971 photo session with The Rolling Stones for the “Sticky Fingers” album. Over two-thirds of the photos have never been viewed by the public, which makes the exhibition sought-after among Stones followers and art lovers. In line with the Stones ‘ Sticky Fingers’ US tour in the current year, a more comprehensive exhibition at SFAE is being discussed, where Webb’s archive is presently on display as a permanent fixture. “When something’s gone it’s just gone, you know. We are talking 38 years in place of talking a year or two. After they’d been found I walked around with this huge smile on my face for days,” Webb said to Snap Galleries. According to Webb, taking pictures of The Stones “as they were” at that exact moment in time, free from any central “concept” was the best idea he had.