The exhibit brings forth a coherent collection of both group and solo portraits in black and white and color, shot against the intentional backdrop constructed by Webb at his North London Studio. One fine example is “Stones Rollin’,” which pre-cursed Peter Webb’s famous ‘Falling Stones’ image. The shot was voted as one of the top 100 Rock and Roll photos of all time by Q Magazine and will grace the cover of the volume with the same name — a limited edition book that consists of the same photographs as the exhibition. Another example is “The Big Yawn,” in which Mick’s gaping mouth is wide open, while Bill Wyman itches his nose. Thanks to Raj Prem, SFAE is an exclusive location for Peter Webb’s work in the United States.